Discussing anything related to Mark Garner and Saraz handpans is no pleasure of ours. As we have proven through our blog, anything Mark Garner does in the handpan world is so highly convoluted that delving into to the demonic nature of the crooked snake that he is in order that he may be exposed is very time consuming. We often find ourselves being led into rabbit hole after rabbit hole of occultic twists and turns which often lead to the same rabbit hole, which is Lucifer.
Nonetheless, out of our duty to establish the truth in a wicked handpan industry, we are compelled to take up our cross and walk through the narrow gate.
Luke 9 (KJV)
23'' And he said to them all, If any man will come after me, let him deny himself, and take up his cross daily, and follow me.''
Matthew 7 (KJV)
13 ''Enter ye in at the strait gate: for wide is the gate, and broad is the way, that leadeth to destruction, and many there be which go in thereat:
14 Because strait is the gate, and narrow is the way, which leadeth unto life, and few there be that find it.''
As our regular readers are aware, anytime we resort to quoting Biblical Scripture in our articles, it is because we are dealing with serious demonic energy that must be reproved and purged with The Word.
We briefly touched upon the Luciferian eye and pyramid symbolism on this album in a post entitled ''Saraz (The Dead God), Meraki (Kimera) and Panthon Steel: A Pagan, Satanic Photo Reel - BUYER BEWARE!! Your Soul They Can Steal'', but now a more in depth glimpse into the totally Luciferian nature of this album is in order. However, before we do so it is appropriate that we highlight E.W. Harris, who provides the lead vocals and guitar on the album, and also shares production credit with Mark Garner.
E.W. Harris is pictured standing on the right with the bugged out look of a person who is demon possessed. He is also making a pyramd symbol with his thumbs on top of his interlocked fingers, which is further proof of the recurring theme of pyramid symbolism manifesting wherever himself and Mark Garner appear. E.W. Harris appears bug-eyed to the point that he resembles Charles Manson, who was also a notorious, possessed demon conjurer and disciple of Lucifer.
The eyes are the window to the soul as they say.
E.W. Harris is a self-proclaimed conjurer of demons and we can find proof of this on his Tumblr blog which states:
''Harris's songs attempt to peer in to our modern condition, through the eyes of robots, mutants, and accidental demigods.''
An ''accidental demigod'' is a fallen angel, and Lucifer is the fallen-angel-in-chief. Lucifer and his fallen angels were expelled from Heaven by the Most High for their rebellion.
Jude 6 (KJV)
6 And the angels which kept not their first estate, but left their own habitation, he hath reserved in everlasting chains under darkness unto the judgment of the great day.
From Wikipedia, we got the following etymology behind the modern English use of the word ''demigod'':
''The term demigod first appeared in English in the late sixteenth or early seventeenth century, when it was used to render the Greek and Roman concepts of semideus and daemon.''
''Daemon'' essentially means demon. According to Mark Garner from Saraz Handpan, Kyle Cox is a demon and so was Jim Dusin before he died (or was sacrificed). The following is a response that Mark Garner posted following the publishing of our article entitled, ''Pantheon Steel & Saraz: Leaders of the Satanic Handpan Agenda''.
The first track on this album is named ''ReEntry'', and with its theme of death, it sets the tone for the dark, Luciferian essence of the remainder of the album. On E.W. Harris' bandcamp site, we found the following introduction before the lyrics to this track:
''Based on the cult novel 'A Voyage to Arcturus' this song is a look at the nature of the self seen through the lens of one's last moments in existence.''
Aside from the obvious fact this the first track on the album is about death, another important influence on the track is the book ''A Voyage To Arcturus'', by Scottish writer David Lindsay. David Lindsay is credited with being an important influence on other prominent Luciferian writers such as C.S. Lewis and J.R.R. Tolkien. For more detailed background information on the occultic influenced ''Narnia'' and ''Lord of the Rings'' works by these two authors, please feel free to edify yourself by following the previous link.
Panopticon
The second track on this album is ''Panopticon'', which aside from being a play on words regarding the pan instrument, is actually a literal prison designed by Jeremy Bentham, who was a degenerate. However, like many degenerates the world over, Jeremy Bentham is regarded primarily as the esteemed founder of ''utilitarianism'', which is a worldly ideology that promotes hedonism over morality. Jeremy Bentham was also a proponent of homosexuality.
Leviticus 20 (KJV)
13 ''If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination: they shall surely be put to death; their blood shall be upon them.''
1 Corinthians 6 (KJV)
9 ''Know ye not that the unrighteous shall not inherit the kingdom of God? Be not deceived: neither fornicators, nor idolaters, nor adulterers, nor effeminate, nor abusers of themselves with mankind,''
Wikipedia provides an adequate background of the Jeremy Bentham designed Panopticon and states in part,
''The concept of the design is to allow all (pan-) inmates of an institution to be observed (-opticon) by a single watchman without the inmates being able to tell whether or not they are being watched. Although it is physically impossible for the single watchman to observe all cells at once, the fact that the inmates cannot know when they are being watched means that all inmates must act as though they are watched at all times, effectively controlling their own behaviour constantly. The name is also a reference to Panoptes from Greek mythology; he was a giant with a hundred eyes and thus was known to be a very effective watchman.''
This Jeremy Bentham inspired Panopticon prison is strongly reminiscent of the prison matrix which is the general handpan community, where the prisoners (handpan cult members) police themselves and each other under the assumption that the watchers (Handpan Mafia) are watching over them and the things they say.
Hopefully, the all-seeing-eye of Lucifer and pyramid symbolism on the ''ReEntry'' album cover takes on a more profound significance in light of the above. As we have stated on numerous occasions in this blog, Mark Garner from Saraz Handpan is bent on dragging as many handpan souls to the prison of hell as he can muster. Obviously misery loves company and the more handpan souls Mark Garner can condemn through his handpans and handpan music, the greater his ''reward'' in hell will be!
If it is not clear by now that this a battle for souls that we are currently engaged in, let us take a look at some more satanic tricks and tracks on the ''ReEntry'' album.
Phonies
In the liner note preceding the lyrics of the track, ''Phonies'', the following is stated about this particular track:
''this song imagines the inner life of a serial murderer, possessed by appetites he neither controls nor understands.''
To those who are spiritually aware in living in truth, possession by ''appetites'' is essentially demon possession. Behind every carnal appetite there is a demon. There is a demon of lust, a demon of serial murder, a demon of homosexuality, a demon of drugs, etc. All of these demons are very powerful and obviously are not subject to the control of their human hosts, but rather it is the other way around. The demon(s) control(s) the host completely. This remains true even on occasions where a contract or deal with a demon/devil is made where the demon serves a human under a contract for a fixed period of time. However, ultimately the soul of the human host who has contracted with the demon belongs to the demon upon his/her death, and this is precisely the reason why people who have made deals with the devil resort to vampirism and various other nefarious means of prolonging their life spans; because they know the devil with whom they are under contract is waiting for them beyond the grave.
The lyrics to the track, ''Phonies'' are as follows:
Your eyes look blank and empty
My blood still stains your face
and I'll take these phony flowers
'cause they brighten up the place,
I'll just leave you there
no one cares
but me
All those who know,
never can tell
who goes to heaven
and who goes to hell so
shine up your shoes
smooth your lapel
wait for the party and sniff for the smell of
sweet desperation
the habit's perfume
I've spotted my victim
just outside the room
my vision turns red as my world turns black
and I swim through the stars as I lie on my back
some say desire
and evil's the same
but I'm just the watcher
the hunger's to blame
Ahhh, pull me out
Ahhh, pull me out
pull me out
Pull me out of the water
'cause I'm too weak to swim
and you'll leave me dead by drowning
if you know just where I've been
you'll just leave me there
no one cares
but
me
Mark Garner and E.W. Harris, do not worry, not only will KaribPAN leave you two to die drowning, but we may just push your ugly, demon-possessed heads under the water even more so you can drown that much faster and spare the world more of your demonically charged, diabolical music.
If the readers are still not convinced that a battle for souls is currently raging after reading these telling lyrics, Mark Garner and E.W. Harris add more fuel to their hell fire with yet more satanically tainted tracks. But as we were just speaking about demon-possessed souls resorting to vampirism in order to prolong their life spans and ward off the bowels of hell indefinitely, let us have a glance at the following ''ReEntry'' track.
Los Vampiros
As we have maintained on many previous occasions, we cannot make up the topics that we cover on this blog. All we can do is pierce the fog and lift the veil of the Handpan Industry, which is wicked to its very core. How vampires, penal instiutions with ''watchers'', deals with the devil and demon possession should have any relation with the Handpan is beyond us. But considering the fact that the entire handpan industry was based on wickedness perpetuated by wicked individuals, it is obvious that there must be a strong correlation present between the handpan and all of these wicked vices.
A liner note of the ''Los Vampiros'' track states,
''A peek into the mind of a man in pursuit of (then a lamentation on) the most alternative of lifestyles...vampirism. Inspired by the 1971 cult film "Vampyros Lesbos" directed by Jesus Franco.''
I personally have never see the cult film, ''Vampyros Lesbos'', but my hunch tells me that it is a movie about some lesbian vampires. Obviously, as we have already proven, homosexuality is an abomination that is punishable by death according to the Bible. It goes without saying that vampirism is another abomination along with the fact that it is completely blasphemous that the director of such an abominable film is named ''Jesus''.
Without getting bogged down into the details of this particular movie it is best to cut straight to the chase as it is obvious that ''Los Vampiros'' is just as sinister as any other track on this album.
Some of the lyrics are as follows:
''Oh and this all began with a jade statuette
who was formed as a man,
but died like a marionette
hacked up to pieces and burned
that was all I could get
its funny how easy you're caught like a fish in a net
and i just remember that this is as good as it gets''
The Game
When we boldly stated on karibpan.com that, Pantheon Steel and Saraz are leaders of the satanic handpan agenda, we were dead serious. If the reader would have thought that the previous four satan worshipping tracks were enough for one album, there is yet more!
A liner note of this track states,
''A young man's perspective on death, and by extension, nearly everything else.''
Again, we have further proof that the theme of this album is death. Not only this, but we have another recurring theme of a deal being made with the devil.
The lyrics to ''The Game'' are as follows:
You know what they say
When they tell you to seize the day
you know what they say
don't know life till it's gone
Old man death
don't come with sticks and stones
he comes with a pillow
to claim your bones
and he is gentle
places it on your face
there it's soft and weightless
like a flower in space
And the devil has the deal
fortune spins the wheel
and its not just how we feel
it's more how you play the game
It's hard to hold on
when your hands are tied
'specially when the bonds
are chains from your mind
but hold on my friend
hold on again
reach out and grasp
my outstretched hand
And the devil has the deal
fortune spins the wheel
and its not just how we feel
it's more how you play the game
Where are you going?
I don't understand
How will you get there?
What happens then?
Don't worry here
I won't go to far
and you will see me again
out among the stars
And the devil lost the deal
my hand spins the wheel
and now that it matters
how we feel
its still how you play
still how you play
the game
still how you play
the game
Immortality
The final track on this album that we will discuss is the last track of the album, entitled, ''Immortality. A liner note of the track dscribes the song as,
''A look at institutional culture, and the potential hazards of "rehabilitation"
In case the readers may be misled to believe that this track is focused on more Panopticon, Jeremy Bentham inspired prisons, a close look at the lyrics provides evidence that the ''instiutional culture'' being discussed throughout the album up to this point in the institutional prison of Hell.
The lyrics to ''Immortality are as follows:
The knot is digging in your wrist
two hands tied
though now as fists
the pain a fleeting lovers kiss as fingers lose their blood
and empty bodies cloaked in white
emerge from unrelenting lights
to wrench all of your cinches tight and bathe your face in mud
but what we do is only for the good
our motives they need not be understood
together in the company of other spirits breaking free
never changing immortality
and we will squeeze you dry
milk the poison from your eyes
we'll keep the evil unseen
and leave you cool, and pure, and clean
what we do is only for the good
our motives they need not be understood
together in the company of other spirits breaking free
never changing immortality
Quiet 'cause
Quiet 'cause you know
....dark...gonna get ya
Groping in the darkened halls
I feel the faces on the walls
and desperately peruse them all
to finally find my own
but touching brings a strange delight
my fingers fill with amber light
that my own dead and empty eyes will never ever know
What we do its only for the good
our motives they need not be understood
oh, together in the company of other spirits breaking free
never changing
never fading
always rearranging
immortality
In the perverted world of satanists like Mark Garner and E.W. Harris, good is evil and evil is good. Homosexuality is normal and encouraged and heterosexuality is abased. Satan is the most high god of Mark Garner and E.W. Harris, not YHWH of the Bible.
So if you are a gullible handpan freak who believes that Mark Garner is actuallly tuning ''shoulder tones'' and not demons into his handpans, by all means, continue to drown a horrible death along with Mark Garner and his pals!
We will not be shedding any tears for you as we warned you! And should you refuse to remain stubborn in your rejection of the truth, death is what you have chosen.
The entire ''ReEntry'' album from beginning to end is centered upon death, prisons with watchers, deals with the devil and eternal damnation. If you own a copy of this album, we would suggest that you burn it, and if you have it stored in a file, delete it immediately.
If you own a Saraz handpan, burn that too and repent from your wicked ways.
Romans 6
20 ''For when ye were the servants of sin, ye were free from righteousness.
21 What fruit had ye then in those things whereof ye are now ashamed? for the end of those things is death.
22 But now being made free from sin, and become servants to God, ye have your fruit unto holiness, and the end everlasting life.
23 For the wages of sin is death; but the gift of God is eternal life through Jesus Christ our Lord.''
People who take the KaribPAN blog seriously:
1. Dr. Anthony Achong
2. Felix Rohner
3. Kyle Cox
4. Hang Out UK
Shall I continue? Our blog is the harsh truth that people living in a lie can’t handle, but we are taken VERY seriously by mostly everyone who has read our articles. Now whether they admit that is another issue, but it’s obvious we have the attention of some prominent people in the industry.
Not that anybody takes these posts seriously, but this is good reading
http://allday.com/post/10338-these-13-ridiculous-things-were-once-actually-accused-of-being-the-work-of-satan/?exp=3&utm_source=ADS&utm_medium=FBO&utm_campaign=HIP